The Pompano Beach Seafood Festival. Christ almighty, I just don’t have a large enough stock of superlatives to describe what a monumental waste of time, energy, money, effort, and talent this bullshit dog-n-pony show turned out to be. I’m sitting here at the ol’ computer with a perfect, beet red sunburn/windburn, a hole in my left pinky finger that’s about a 1/8 deep and as big around as a piece of coat hanger wire, an empty wallet, and a seriously bad attitude. Check this out:
The show was billed as ‘A Three-Day Celebration of Local Seafood & A Bustling Arts and Crafts Bazaar on the Boardwalk’. It sounded like the perfect venue to hawk my original canvases and gicleés of bright, colorful aquatic life. The booth fee was a wee bit steep, $375.00, but I usually haul in about a grand or two at most of the outdoor art festivals I do, so it seemed like a good enough deal. I applied and sent in my check the afternoon I read about it. As the big weekend approached, I worked like a madman to get a few more canvasses finished, a few more gicleés from the printers and get my tent and festival setup cleaned, prepped and ready to go.
Friday afternoon was check-in and set-up from 12:00 to 4:00. After 4:00, all vehicles had to be moved to either a nearby municipal parking lot or a Pay-to-Park lot; no vehicles could be left on the blocked-off street in front of the beach. The gates would open to the public promptly at 5:00. Saturday and Sunday would be full day shows, but Friday was just the evening. Once I got checked-in and given a map to my space, I found that the ‘boardwalk’ was actually just dozens and dozens of 6′X8′ pieces of plywood screwed onto 2′X4’s to form a rickety pathway across the beach. There was no pathway of any sort leading to the aforementioned ‘boardwalk’, so I had to heave, push, pull and drag my setup and my work across 50 yards of sand to get to my space while my wife struggled with our two-year-old. When everything was finally set up at about 4:30, I managed to wipe the sweat out of my eyes, catch my breath and have a look at my temporary neighbors.
The booth next to me, on the left, was a group of little old ladies representing a cat rescue charity; the guy on my right was selling T-shirts with ripped-off Guy Harvey designs printed on them (more about this dingus later). Further down the way was a lawyer (Injured in an accident?! Speak to a lawyer for FREE!), a group of condo developers, a guy selling stove-top barbecue grills (…as seen on T.V.), several church groups, herbal facial scrubs and people hawking a spray on pain reliever (all natural formula!). There were a number of people selling craft items like that really beautiful, brightly colored Mexican pottery, hand-woven hats, driftwood carvings, blown glass sculptures, painted metal wall sculptures from Jamaica, beaded jewelry, etc….in almost every case, these people were not the actual artisans, but rather importers taking advantage of sweat shop labor in underdeveloped countries. Most of the area was saturated with cheap, manufactured, flea market-oriented crap. The total number of actual artists and craftspeople, including your buddy the Jettboy, five…five people out of easily 40-50 booths; although I guess you could include the old Blues guy with the saxophone who was selling copies of his music CD.
Once the crowd started pouring in, it looked like it was going to be an OK evening; I sold two $25.00 prints, had a decent amount of interested lookers (mostly parents who were dragged in by their kids…children love my work), gave out a handful of business cards, and had three or four ‘bebacks’ (you know; “I really love this. I’ll BE BACK later to pick it up,” but you never see ‘em again). Although the ‘Art and Crafts Bazaar on the Boardwalk’ would be open until the festival shut down at 10:00, we closed our mobile gallery down at 8:30 due to lack of in-tent lighting. We moved all of the art back out to the van (now parked some three blocks away) and secured the tent for the night. I went home a little disappointed that it didn’t seem like much of an ‘art’ crowd, but I was still confident that I’d make my booth fee and maybe a few hundred bucks. I quickly showered off the days sweat and grime and sank into an exhausted sleep.
Saturday morning we got up and headed out early. The festival opened at 10:00, so I wanted to get there early enough, 8:00 or so, to get a decent parking spot and get all of my work back up before the crowds showed up with money bursting from their pockets. The sky was a dark gray, but I was certain it would burn off pretty soon. Once we got to Pompano Beach, which is about 25 minutes away from our home, the wind was blowing hard enough to bend the palm trees; a gentleman we passed struggling to keep his hat from blowing away mentioned that the wind was 30-35 knots on the beach. When we reached the ‘boardwalk’, we we’re stunned to see tables and festival tents scattered, broken and twisted, all up and down the ‘boardwalk’ like a giant child’s discarded toys. I’ve had the same EZ-UP tent for about six-or-so years and she’s served me well through dozens of outdoor festivals; the thought of it reduced to a giant wad of torn blue canvas and bent metal left a hard knot in my gut. I prayed a silent “thanks!” to the JuJu Gods as I noticed my ol’ blue up ahead, none the worse for the wear.
The Cat Rescue ladies next to us didn’t fare nearly so well; their tent lay sprawled upside down behind their space, it’ crooked legs and supports sticking out at odd angles like a squished spider. A rope tied to a 5-gallon bucket of sand was the only thing that had kept it from flying off into the west. The sweet little Hindu nut vendor who had given my son a free cone of cashews the day before had no tent left at all when he showed up.
The wind was so strong that I couldn’t hang any canvases up; not a single one. I couldn’t even set up my print rack for hours. Every time it looked like the wind was lessening, it would pick back up even stronger. A representative from The Festival came by at about 9:00 to survey the damage. When it was noted that the wind was too strong to set up my work, she was quick to snap “Sorry, no refunds. There’s a warning in the contract about inclement weather; the Festival is going on rain or shine; with you or without you.” By 11:30, with a thin crowd filtering in and the sky still overcast, I was finally able to put up two walls of my tent, hang up six or eight smaller paintings (none of my A-list stuff, though, it’s all too big and too valuable…I couldn’t live with myself if I saw one of my $3,500. paintings heading off into the sunset), and put out my prints. By 12:00, my son was getting bored, fussy and hungry, so I sent wife and child back to the house to relax for the rest of the day and let the old dad do that old familiar ‘art show’ thang.
From 12:00 til 3:00, I fought with one of my tent walls. The high wind was pushing it like a sail with each massive gust. With each squall the tent would flex inward several inches, and I would push against it with all of my 185 pounds of artist to keep the support structure from snapping or bending out of shape. When one giant ‘whooooooosh!’ caused the tent stakes on the right-hand side to pull up out of the ground and three small canvases to come off of their mounting struts and go flying across the tent and onto the ground, I decided to just throw in the towel and take down the wall. Every surface that I normally have hanging free was by now festooned with as many bungie cords as I had at my disposal to keep my work earthbound. Between 2:30 and 3:00-ish, the sky returned to it’s usual bright Florida blue and all of the spooky gray clouds headed off to menace the Bahamas; the wind, however, didn’t really die down and conditions remained pretty miserable even if it looked gorgeous. I still hadn’t sold one damn thing; not a single print and certainly not an original.
By this time the crowd was huge, easily 20,000 plus people circulating around. But, they weren’t circulating in MY direction. A few drunks now and again would wander in, look around, maybe dig through the print rack or the paintings I had stacked on my transport cart, belch out “Nice work, man,” and wander off in search of the next beer or glass o’ rum punch. A few people would glance around the booth with a confused look that said, “…where are the trademarked labels for beer companies decopauged onto weathered barn wood? Where’s the bright, neon green, hand-painted ‘Show Me Your Tits!’ and ‘Party Naked!’ signs? Where are the cast resin iguanas with sunglasses holding up miniature cast resin margaritas? Where’s the ‘I’m not as think as you drunk I am!’ T-shirts? This stuff looks like that damn ‘art‘ or sumthin’…” It was now absolutely, beyond the shadow-of-a-doubt clear that this was not an ‘art’ crowd; a fun, Aloha-shirt-wearing, eating shrimp and drinking $4.00 cups o’beer and buying cheap-ass imported geegaws crowd, for sure, but not a group that came prepared to shell out $800.00 for a painting to hang in the den.
By now the Cat Rescue ladies next door were aggressively hustling the packed crowd for donations; as soon as someone got within earshot-generally right in front of my booth-one of the volunteers would hit them with the “…would you care to make a donation to help take care of unwanted cats?” Now I love the felines as much as the next guy, but these festival-goers that didn’t would make a wide arc away from the Cat Rescue volunteers…and away from my booth. After seeing several dozen people herded away from my booth in this manner, I finally went over and, very politely, asked the chief little old lady if she would pleeease wait until people had passed my booth before hitting them up for a donation. I had helped her get her damaged tent set up that morning, even gave her some of my spare tent pegs and rope, so I though we were cool. She apologized profusely, said she understood my position, and said that she would ask her people to knock it off. Despite the understanding smile and nod, the mood between us was frosty the rest of the day and her staff would periodically glare at me with daggers in their eyes.
Then there was Angelo, the t-shirt vendor to my right. The guy did give me a couple of beers from his thoroughly-stocked cooler throughout the afternoon, so I feel kinda’ like a jerk talking smack about him; but he was easily the most annoying, obnoxious, overly-familiar, loudmouthed asshole I have met in a long, long while. The government could use Angelo to torture political prisoners; three hours around the guy and anyone would admit to whatever you wanted…as long as you promised to take Angelo away. Ange was about 5′5″ and easily that big around, with spiky dyed blonde hair, a pencil-thin black moustache and a Jersey accent like a wiseguy off of The Sopranos. And a filthy mouth; jeez, I come from a long line of Navy men and tend to cuss like a stereotypical sailor, but you have to know me really, really well before you’ll ever hear gems of profanity like “motherfucker”, “cocksucker” or “cunt” come from me…Ange used them every third word, and every other word was “fuckin”. Every female from age 14-to-65 who walked past wearing anything more revealing than a burkha would prompt Angelo to leer, “Hey, bro, you see ‘dat sexy bitch?! Fuck! I sure would like to [fill in blank with crass, perverted sexual imagery of choice], hah?! You know you wouldn’t turn down some a ‘dat action, ya’ crazy bastahd!” And on and on, ad naseum, occasionally followed by a weird, jiggly, pelvic-thrusting dance move. Then the guy starts telling me that a huge number of t-shirts he’s printed are Guy Harvey designs he’s lifted from magazines and such; he’d scan them, clean ‘em up a bit, crop off the signature and copyright notice and then print ‘em as shirts. “Hey Ange,” I told him, “you’re saying that it’s OK to rip off artists? I’m not if you noticed, but I’m an artist…” Different story, he says, it’s OK to rip off somebody like Guy Harvey ’cause he’s filthy fuckin’ rich and so many people have copied his style that nobody knows the difference anymore. When a customer comes up to Ange’s booth and asks “Hey, are these shirts Guy Harvey?” Angelo laughs and says, “Naw, they’re MY Harvey! Haw, haw, haw!” I got to hear this bit o’ wit at least a hundred times.
By 5:00, I had only sold one print at $30, but I did get to have a couple of conversations with drunks that started out with them slurring, “When I was a kid, I always (hic!) wanted to be an artist…” The high point of my day was a husband-and-wife interior design team who loved the colors in my work and were interested in setting up a meeting to discuss some custom work for a condo they were decorating. I gave them business cards, but I doubt I’ll hear from them. At around 6:00 a near-fistfight, shoving and cussing match broke out almost right in front of my booth. I was really tempted to ask the fellas to take it somewhere else, but getting into a scrap with one or more drunks would really have ruined an otherwise terrible day. Since it was still too windy to attach the back wall of my tent, a huge number of people had just decided that the open gap was a perfect walkthrough from the boardwalk to the amusement are behind me; every fifteen or so minutes someone would stroll through my tent without a word beyond the infrequent “Hey, man.” At 6:30, I got a nice surprise; a beback from earlier in the afternoon actually came back and bought a $30. print. I was thrilled; I could have hugged her.
At 7:00 my wife called me on my cell to let me know she was heading back to the festival to help me pack it up. By then I had had enough; enough zero sales, enough heat and gale-force wind and sand, enough Angelo, enough $4.00 cups of watery beer and $3.00 bottles of Gatorade, enough drunks, enough baffled looks as though I was demonstrating a card trick to a dog…just enough. I told the wife I was ready to just break down the tent and display system, load up the van and blow off even trying to come back on Sunday. Thankfully, she agreed that we had squeezed about all the money out of the Pompano Beach Seafood Festival that we going to squeeze out.
By the time my lovely bride and boyo showed up, I had stowed all of my paintings on my handcart, packed the prints back into boxes, folded up the print rack and packed away sixty pounds of miscellaneous junk (weights, tent pegs, a mallet, rope, etc) into a big plastic bucket. As the missus stayed at the site with my son, I made a series of about seven trips across the sand to haul all of our stuff back to the van.
As I weaved through the crowd carrying my overweighted white plastic bucket with one hand and a bunch of aluminum display rods in the other, I received the cherry on the top of the colossal crap sundae that had been my weekend. I tripped, either over my own clumsy, sand-filled shoes or someone else’s, and fell. The force of the fall popped the steel handle out of my utility bucket with an audible “Sproinng!”. As I kneeled in the sand trying to reattach it, a voice from above me said, “Hey, man, I think you cut yourself.” I glanced at the top of my white bucket and noticed large dollops of blood all over it. Hmmmm, that’s odd. I held my left hand up into the light and noticed that it was covered in blood. Just above the second knuckle of my left pinky was a perfectly round hole, almost like a stab from an ice pick, that went almost halfway through my finger; the end of the steel wire handle, where it hooks to attach to a socket in the bucket, had apparently stabbed me. Wonderful. There wasn’t much I could do just standing around on the sand, so I picked up my load and continued to the van, where a Huggies Baby Wipe made a quickie makeshift bandage. When I returned to our site, my wife’s eyes got as big as dinner plates when she noticed all of the blood on my hand and on my shirt. At one point I must have wiped the sweat off of my face, because there was blood all over there, too. Once I convinced her that I hadn’t been beat up or attacked by a landshark, we loaded up the tent into it’s uselessly-wheeled case, grabbed the baby in his uselessly-wheeled stroller and headed out into the night, where somewhere a cheeseburger, a bottle of Guinness and maybe a tetanus shot was waiting.